Posts Tagged ‘for sale’

Ogdred Weary

Saturday, April 2nd, 2011

Ogdred Weary, detail, by Amy Crook

Ogdred Weary, detail, by Amy Crook

This print combines two printing techniques for a singular layered result. First the colors were painted onto a blank acrylic plate with monoprint inks and the  piece was run through the printing press. Then, a deep-bite etched intaglio plate was inked and the already-printed page was run through a second time, which left the textured black impression overlaying the color. It can be a very precise process, but I never was a very precise artist, so you can see that the two plates don’t quite align on the page, which accents the loose style of the print itself.

I only ever made one print like this one, but it’s one of my favorite images to have come out of my explorations with printmaking. I named it after an Edward Gorey pseudonym, because the image reminded me of some tentacled beast that might live in a pond in one of his delightfully morbid picture books. My favorite of his is The Gashlycrumb Tinies, because it opens with, “A is for Amy who fell down the stairs.”

Ogdred Weary, 3″x3″ etching and monoprint on 7″x10″ watercolor paper.

Ogdred Weary by Amy Crook

Ogdred Weary by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Tentacles
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Salt Cell 2

Thursday, March 31st, 2011

Salt Cell 2 by Amy Crook

Salt Cell 2 by Amy Crook

After exploring the combination of salt and watercolor last week, I picked up some larger crystals of sea salt. Wanting to do something else that echoed Salt Cell but incorporated some pen-and-ink work as well, I decided on a rather tedious methodology. The process affected the outcome because the paint began to dry before I was done putting the salt back on the little circles.

I think I might try it again, but with fewer salt crystals.

Salt Cell 2, 5″x5″ pen and ink and watercolor on watercolor paper, $229 with free shipping.

You can see more about how this piece came together below the cut.

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Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Weeble Wednesday: Brides of Dracula

Wednesday, March 30th, 2011

Brides of Dracula by Amy Crook

Brides of Dracula by Amy Crook

Now that I’ve got my super-pale-skin marker refilled, I’ve finally started coloring the bonus brides from my Monster Heart Coloring Book. These toothy gals are inspired by the many movie depictions of the three brides that I’ve seen, and some judicious image googling to figure out what styles would have been appropriate for the era, for 50 or 100 years before. I liked the idea that they might still dress in the fashion of their own times, and that each one had been born in a different era.

Brides of Dracula, 7″x5″ pen and ink and Copic markers on watercolor paper. $89, with free shipping.

Categories: Daily Art, People, Figures and Faces, Series and Books, Whimsical and Strange, Zombies, Skulls, and Other Morbid Things
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Tentacle Deeps 7

Tuesday, March 29th, 2011

Tentacle Deeps 7 by Amy Crook

Tentacle Deeps 7 by Amy Crook

This piece most closely reflects the very first Tentacle Deeps watercolor I did, I think –the same paper, no fancy salt or pen-and-ink effects, just the layers of watercolored tentacles reaching up from the bottom of the page. The wash was a bit more layered and random, and whenever a tentacle “breaks through” the upper right corner, there’s a little bit of a skip as though it’s breaching the surface of a pool, or slipping between realities.

Tentacle Deeps 7, 5″x7″ watercolor on watercolor paper.

Tentacle Deeps 7, framed art by Amy Crook

Tentacle Deeps 7, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Texture in Brown

Monday, March 28th, 2011

Texture in Brown by Amy Crook

Texture in Brown by Amy Crook

Everything about this piece is a combination of deliberation and randomness, letting my choice of materials dictate the final product.

I didn’t like this when I started it out, at first just the red-brown leaf shape at the center of the page. then I added the redder wash down at the bottom, and an even softer red wash in the upper area, and used salt to give a rough texture to the lower area. I let that dry and sit a few days before coming back to it with a quill and some ink that used to be black, but has aged in its bottle to a soft, walnut brown. The quill caught and stuttered on the rough paper, giving the lines a rough look as the ink bled.

I think the end result looks like some sort of landscape, each piece working together to create a rich field of texture and earthy color.

Texture in Brown, 7″x5″ watercolor and pen and ink on watercolor paper, $129 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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Tentacle Deeps 6

Tuesday, March 22nd, 2011

Tentacle Deeps 6 by Amy Crook

Tentacle Deeps 6 by Amy Crook

When I did the first one of these, I had no idea it would turn into a series that helps me explore all the techniques I’ve been working with this year.

For the sixth installment, I’ve used salt both on the background wash, and then separately on the tentacles themselves later. The places where the background is textured from the salt are subtle, the most obvious one being the cell-like structure in the upper left. The tentacles, on the other hand, have a strange mottled texture that definitely gives them a bit more dimension. There was also a bit of color bleed on the lower edge, which seems to be another side effect of the salt, giving the paints a powdery texture once it dries that then dusts itself onto the white when I brush the salt crystals away.

Tentacle Deeps 6, 5″x7″ watercolor on watercolor paper.

Tentacle Deeps 6, framed art by Amy Crook

Tentacle Deeps 6, framed art by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books, Tentacles
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Church of the Mind

Saturday, March 19th, 2011

Church of the Mind by Amy Crook

Church of the Mind by Amy Crook

When I originally drew this, I had considered coloring the stained glass window, but I found the image so striking in black and white I left it.

A few astute people among you might recognize the model as one I’ve used a few times before, though the stark chiaroscuro led to his face being obscured. If you click to see the larger view, you can just make out the subtle skull shadowing the figure’s face.

There’s some sort of statement in the juxtaposition of images, but I’ll leave it up to you to decide what.

Church of the Mind, 12″x18″ brush and ink on paper, $599 with free shipping.

This image is on paper, and will require matting or framing to be suitable for display; I’m happy to frame it for you for a small additional fee.

Categories: Daily Art, Nudes and Other Sexy Things, People, Figures and Faces
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