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Meteoric

Monday, April 11th, 2011

Meteoric by Amy Crook

Meteoric by Amy Crook

This piece went through several incarnations and changes. My original red wash turned a peachy-orange that I wasn’t expecting when it dried with the salt, and the crater-like formations in the lower left needed something to balance them out. At first I tried adding another layer of salt craters, but that didn’t really help the imbalance, and so I ended up taking first the lighter red and then a dark burgundy pen and drawing in the lines, which tended to blur and spread whenever the pen passed over an area that had been densely soaked in salt water. Then I added one final wash of plain water in the corner, blurring and mixing the reds into a rather surprising fuchsia through which the lines can still be faintly seen.

Though the first incarnation had some accidental overtones with the pink salt spots in the center of soft peach circles, the final has a rather science fiction feel of a meteor shower streaking downward to further ravage the damaged orange surface of the planet below.

Meteoric, 5″x5″ watercolor and pen and ink on watercolor paper, $169 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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At First Sight

Saturday, April 9th, 2011

At First Sight by Amy Crook

At First Sight by Amy Crook

I went through a period where I was fascinated with the idea of the chakras, and I did several monoprints related to them. This one uses the colors are all of the lower chakras to make flame, and the symbols for the 2nd and 6th chakras, desire and the third eye.

Our culture has a whole myth of “love at first sight” that I’ve never really bought into — I think that what you get at first sight comes from somewhere else, though it might eventually be pulled upward into the realms of the heart. At first sight all you get is a visual, some social cues from dress and superficial action, and no idea of what the person is really like inside. This piece reflects that idea, that we expect to see into them with our third eye, when really we’re seeing with our sacral instincts, desire and wanting rather than the love that comes from accepting a person’s flaws as well as their really nice body.

At First Sight, 2″x6″ monoprint on 6.5″x9″ watercolor paper, $299 with free shipping.

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Series and Books
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Burning Planet

Thursday, April 7th, 2011

Burning Planet by Amy Crook

Burning Planet by Amy Crook, $169

A circle is such a simple form, and yet I feel like I could find an infinite variation in them. This one, too, looks the surface of a planet to me, or maybe some alien sun, the swirls of almost neon yellow marked by orange and red patterns.

This time I used my Windsor & Newton watercolors rather than the Japanese pigment inks, and it’s really interesting how the different media react differently to the addition of the salt. Rather than drying to a fine powder, each little spot of orange-red on the yellow paint is actually a salt crystal formed with the pigment-rich water as the salt on top dissolved, and then dried. If you look closely you can see the flat, squarish shapes of the salt crystals (click the image to enlarge). It even sparkles in the sunlight.

Burning Planet, 5″x5″ salt and watercolor on watercolor paper.

Here’s a terrible iPhone photo of the painting at an angle, so you can see the sun sparkling off the crystals:

Burning Planet, detail, by Amy Crook

Burning Planet, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Weeble Wednesday: Bride of the Mummy

Wednesday, April 6th, 2011

Bride of the Mummy by Amy Crook

Bride of the Mummy by Amy Crook

This poor lady was stuck as inks for many weeks, waiting for me to get a refill on my colorless blender so I could properly fade the wear and tear on her bandages. I had fun making her as a counterpart to the Mummy, especially since I gave them opposite eyes freed of bandages.

She’s one of the bonus brides from my Monster Heart Coloring Book, of course, and I have just one illustration left to color before those are all done.

Bride of the Mummy, 5″x7″ pen and ink and Copic markers on watercolor paper. $89 with free shipping.

Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Series and Books, Whimsical and Strange, Zombies, Skulls, and Other Morbid Things
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Ogdred Weary

Saturday, April 2nd, 2011

Ogdred Weary, detail, by Amy Crook

Ogdred Weary, detail, by Amy Crook

This print combines two printing techniques for a singular layered result. First the colors were painted onto a blank acrylic plate with monoprint inks and the  piece was run through the printing press. Then, a deep-bite etched intaglio plate was inked and the already-printed page was run through a second time, which left the textured black impression overlaying the color. It can be a very precise process, but I never was a very precise artist, so you can see that the two plates don’t quite align on the page, which accents the loose style of the print itself.

I only ever made one print like this one, but it’s one of my favorite images to have come out of my explorations with printmaking. I named it after an Edward Gorey pseudonym, because the image reminded me of some tentacled beast that might live in a pond in one of his delightfully morbid picture books. My favorite of his is The Gashlycrumb Tinies, because it opens with, “A is for Amy who fell down the stairs.”

Ogdred Weary, 3″x3″ etching and monoprint on 7″x10″ watercolor paper.

Ogdred Weary by Amy Crook

Ogdred Weary by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Tentacles
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Salt Cell 2

Thursday, March 31st, 2011

Salt Cell 2 by Amy Crook

Salt Cell 2 by Amy Crook

After exploring the combination of salt and watercolor last week, I picked up some larger crystals of sea salt. Wanting to do something else that echoed Salt Cell but incorporated some pen-and-ink work as well, I decided on a rather tedious methodology. The process affected the outcome because the paint began to dry before I was done putting the salt back on the little circles.

I think I might try it again, but with fewer salt crystals.

Salt Cell 2, 5″x5″ pen and ink and watercolor on watercolor paper, $229 with free shipping.

You can see more about how this piece came together below the cut.

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Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Weeble Wednesday: Brides of Dracula

Wednesday, March 30th, 2011

Brides of Dracula by Amy Crook

Brides of Dracula by Amy Crook

Now that I’ve got my super-pale-skin marker refilled, I’ve finally started coloring the bonus brides from my Monster Heart Coloring Book. These toothy gals are inspired by the many movie depictions of the three brides that I’ve seen, and some judicious image googling to figure out what styles would have been appropriate for the era, for 50 or 100 years before. I liked the idea that they might still dress in the fashion of their own times, and that each one had been born in a different era.

Brides of Dracula, 7″x5″ pen and ink and Copic markers on watercolor paper. $89, with free shipping.

Categories: Daily Art, People, Figures and Faces, Series and Books, Whimsical and Strange, Zombies, Skulls, and Other Morbid Things
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