Posts Tagged ‘yellow’

Lemon Heart

Thursday, April 21st, 2011

Lemon Heart watercolor by Amy Crook

Lemon Heart by Amy Crook

This piece went through several incarnations before I got it to something I was happy with. The final product has a cheerfulness to it that goes well with the lemony yellow, enhanced by multiple layers of salt, watercolor, and pen and ink in two shades of green. The salt pool at the upper left formed a heart all by itself, so I couldn’t resist giving it an outline in the same grass-green ink as the spirals below, which tended to run and pool wherever there was enough salt left on the paper.

The bright new-leaf green of the spiral-textured section is done with a Pilot fountain pen from Japan, and the ink surprised me by being nearly obliterated when I dropped water onto it, unlike the black pen from that same line, which tended to blur but stay strong in Salt Cell 2.

Lemon Heart, 6″x4″ watercolor, salt and pen and ink on handmade watercolor postcard, $99 with free shipping.

You can see below how the salt made sparkly craters in some places on the surface of the piece, though this photo was taken before I was completely finished, and some of the texture has since been obliterated or changed.

Lemon Heart, detail, by Amy Crook

Lemon Heart, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art
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Tentacle Deeps 9

Tuesday, April 19th, 2011

Tentacle Deeps 9 watercolor by Amy Crook

Tentacle Deeps 9 by Amy Crook

Once again, I bring you tentacles for Tuesday!

This watercolor piece uses double the salt for its effects. First I added rich texture and some orangey-gold color to the background with the large, coarse salt crystals. Later I used smaller Kosher salt on the tentacles themselves, putting the salt on after painting each one to get the maximum effect.

Something about this background made me want paler tentacles, so there’s less layers as a result. The salt texture is more dramatically visible, making the tentacles look as though they’ve got barnacles attached from years under the deep oceans.

Tentacle Deeps 9, 4″x6″ watercolor and salt.

I’ve also made an iPhone wallpaper and computer wallpaper out of this one, as well, enjoy!

Tentacle Deeps 9, framed art by Amy Crook

Tentacle Deeps 9, framed, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, Free Wallpapers, Series and Books, Tentacles
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Burning Planet

Thursday, April 7th, 2011

Burning Planet by Amy Crook

Burning Planet by Amy Crook, $169

A circle is such a simple form, and yet I feel like I could find an infinite variation in them. This one, too, looks the surface of a planet to me, or maybe some alien sun, the swirls of almost neon yellow marked by orange and red patterns.

This time I used my Windsor & Newton watercolors rather than the Japanese pigment inks, and it’s really interesting how the different media react differently to the addition of the salt. Rather than drying to a fine powder, each little spot of orange-red on the yellow paint is actually a salt crystal formed with the pigment-rich water as the salt on top dissolved, and then dried. If you look closely you can see the flat, squarish shapes of the salt crystals (click the image to enlarge). It even sparkles in the sunlight.

Burning Planet, 5″x5″ salt and watercolor on watercolor paper.

Here’s a terrible iPhone photo of the painting at an angle, so you can see the sun sparkling off the crystals:

Burning Planet, detail, by Amy Crook

Burning Planet, detail, by Amy Crook

Categories: Abstract and Just Plain Weird, Daily Art, Series and Books
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Weeble Wednesday: King in Yellow

Wednesday, September 29th, 2010

Weeble King in Yellow by Amy Crook

Weeble King in Yellow by Amy Crook

The King in Yellow is the fourth weeble in my series of depictions of the mythos of HP Lovecraft. He’s often associated with Hastur, and originally appears in the short story “The Repairer of Repuations.” He is the titular character in a play said to reveal such irresistible truth as to drive any reader or viewer mad.

In keeping with the Neil Gaiman theme of the week, the play is a central part of a pastiche of Lovecraft and Sherlock Holmes that he wrote, entitled “A Study in Emerald.”

King in Yellow, 5″x7″ pen, ink and Copic marker on watercolor paper.

Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Series and Books, Tentacles, Things I'm a Fan Of, Whimsical and Strange, Zombies, Skulls, and Other Morbid Things
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Icon

Thursday, June 24th, 2010

Icon by Amy Crook

Icon, 1″x1″ etching on a 10″x4″ piece of watercolor paper

This is another tiny etching plate, which I inked using a method where the figure, who was etched deep enough to leave an impression in the paper, was inked in yellow, then the plate was wiped mostly clean and the rest of the surface was re-inked in red.

In classical art, yellow is the color of suffering, and of course in modern times we’re all about red for pain and blood. The diluted ink actually bled down the paper a little when it was run through the press, adding to the symbolism.

I actually did a whole series of crucifixion pieces during that time period, though this is definitely the smallest of the lot — the plate itself is only one inch square.

Icon, detail, by Amy Crook

Icon, detail, by Amy Crook

Categories: Angels, Cthulhu, and Other Myths, Daily Art, People, Figures and Faces, Series and Books
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Whorls and Turns

Friday, June 11th, 2010

Whorls and Turns by Amy Crook

Whorls and Turns by Amy Crook, $499

For once, I thought I’d post something brightly colored for Friday. This is a great example of the way monoprint inks feel a lot like high-quality finger paints, and the playfulness that it gave to the process. Also an example of me not wearing gloves in the printing studio like I should have, but I won’t tell if you don’t.

When I really got into monoprinting, one of the things I did was make a number of small etching plates that I could use interchangeably along with the monoprints and special papers to create one-of-a-kind pieces of art. Here you can see three of those small plates, which were printed onto the page in a single run.

Whorls and Turns, detail, by Amy Crook

Whorls and Turns, detail, by Amy Crook

These small plates were about 1-1.5″ each, and could be inked a number of different ways to get different effects. You can see these three were all initially inked with a deep blue, and then the bottom one was wiped almost clean of blue and inked again with the red to give it the effect of blue veins in red rock. Once those plates had been run, the rest was done on a blank monoprinting plate, which would be printed right over the images that were already there. It’s interesting bit of approximation, since the image prints backwards onto the page.

This one-of-a-kind print is on thick watercolor paper suitable for framing, but not ready to hang by itself. I’m happy to matte or frame pieces before shipping for the cost of the materials.

Whorls and Turns, 12.5″x11″ etching and monoprint on watercolor paper, $499 with free shipping.

Categories: Abstract and Just Plain Weird, Daily Art
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